app development apps author websites book cover design book covers book design book trailers calligraphy children book design design crimes designing apps design process digital libraries e-book design e-books events illustration inspiration lettering literary page layout personal poetry book design portfolio printing print on demand publishing rare books self publishing sorodesign teaching thoughts typography web design

Mar 2, 2009
TYPE & LAYOUT for THE IMPERFECT ENJOYMENT

A couple weeks ago we received the copy of a book I’ve designed: The Imperfect Enjoyment by Dewan Gibson.

In an earlier post I mentioned using the font Brothers for the cover. So when working on the layout, the idea was (& always is) to relate the layout with the cover to unify the book.

Book Cover & Layout

Having the Brothers font on the cover, I thought that I would like to find a good text font to go with it: something masculine, geometric, but at the same time highly readable. (Remember that usability always must be in mind when designing a book: the book is meant to be read!)
The chapter headings and small ornaments were also set in Brothers, and for the main text, the choice was Melior by Hermann Zapf. After trying some other fonts, Melior fit the bill: the geometric rectangle based font went perfectly with Brothers.

Typesetting

For the front matter I started to incorporate Melior, always combined with Brothers Bold & Regular. (In the image is the horizontal design for the TOC & Dedication page.)

Table of Contents & Dedication page

BTW, The Imperfect Enjoyment has its own website, which I found very amusing… featuring Barack Obama!

Book Website

Sep 2, 2008
COMPLEX BOOK LAYOUT as a TRANSLATION

The layout of a book determines how information will be received and perceived by the readers and how user-friendly it is. In some cases it is necessary to interpret the information from the manuscript, and translate it into a graphic language so that the reader will get the message the way that the author intends to present it.
I always thought that this is a very interesting process so I put together an example of a book that we’ve worked on earlier this year.

STAGE 1 | identifying what needs graphic translation

Working on the book design of Stand Taller Live Longer by Dr. Steven Weiniger, we found that at the end of each chapter he had a little section with his 7 week Exercise Program and the idea was that the readers will start doing the exercises and progress along with the reading. The program was presented as lines of text, telling the reader which exercises to do, which order to follow and how many of them. The problem was that it didn’t look different than any other part of the text, so the reader wouldn’t realize that they were in front of The Excercise Program, and just read it as another line of text. It needed something to invite the reader to move out of the chair and get onto the exercise ball.

STAGE 2 | understanding the meaning

After talking with Dr.Steven, he came with this idea of a full page at the end of each chapter: Balance, Alignment & Motion with images of the exercises and page reference, and pyramids.

STAGE 3 | The BAM pages

We went from there and came up with the BAM pages that could be pulled out from the book and had a progressive set of exercises using the pyramid as a metaphor for building a Strong Base = a Strong Posture.

Each week would incorporate new exercises, which would be highlighted; while the repetitions from the week before would get a 50% transparency, serving as a remainder.


*The beautiful ornament bird on the side of this post is from the free font Medieval Dingbats by Lord Kyl

Apr 25, 2007
Arabic Typography

Thanks to Fade Theory we’ve come across a very interesting blog devoted to Arabic typography by Lebanese type designer Nadine Chahine who is now working at Linotype as the Arabic specialist. Her blog has a good series of postings on Arabic newspaper design.

And if you’ve not yet delved into Fade Theory then take a look.