
In this case, I couldn’t read the book because I had to come up with some mock-ups for the next day. All I had was a little idea of what the novel is about and a title: HAPPINESS.
With that in mind, I did a few cover attempts, chose the better ones (these designs) and sent them to the publisher.

Later I showed that work to Mijal, a friend & designer, and when saw the blue one, she pointed out, “How clear that is your concept of happiness: winter & snow, while for many other people happiness would be a beach, warmth” … mmm, (yes, I do love winter).
Of course I was completely unconscious about it, and so much inside the design that couldn’t take any distance to be able to see it.
I always say that the work should never reflect the designer, but the author and the book. Yet, that’s difficult to do when the publisher insists that the mock-ups be done in less than one day.

One of the best illustrations yet of why the designer ought to remain in the background. Thanks for sharing this one. On the other hand, it also proves why we should always be given realistic turnaround time by our clients.